«Un arrêt dans le temps pour partager!»


Note: The information regarding the trainings are not always available in English. In this case, you will find this information in French.

Rhythm

Percussion

Fred MALEMPRE

Percussion jazz

Chris JORIS

Drums

Antoine CIRRI · Xavier ROGE

Brazilian music

Victor DA COSTA · Alain PIERRE

World jazz

Chris JORIS · Tshamala MUFUBELA

Cuban music's ensemble

Patrice BANCHEREAU

Groove

Nicolas THYS

Music

Enfants-phares 1

Jeanne-Marie BAUDOIN · Maria-Gabriella VAN DAMME

Enfants-phares 2

Florence BAILLY · Tshamala MUFUBELA

Enfants-phares 3

Marie-Sophie TALBOT · Caroline LEBOUTTE

Singing

Lucy GRAUMAN

Harpsichord, initiation and improvement

Marie-Anne DACHY

Brass

Marc FRANKINET · Claude REMACLE

Traverse flute

Eric LELEUX

Guitar

Frankie ROSE · Jean-Didier VANDER VORST

Percussion

Fred MALEMPRE

Piano

Brigitte FOCCROULLE · Chantal LEVIE

A reed comes

Vincent DUJARDIN

Violin

Michaël WOLTECHE

Cello

Jean-Pol ZANUTEL

Composition

Baudouin DE JAER

Improvisation's field

Alexandre FURNELLE

Technique Alexander's training (Frederick Matthias)

Catherine VERNERIE

Stage d'ateliers

Singing

Marie-Sophie TALBOT · Barbara WIERNIK

Guitar

Fabien DEGRYSE · Victor DA COSTA

Electric bass

Benoît VANDERSTRAETEN

Double bass

Nicolas THYS

Piano

Jozef DUMOULIN · Fabian FIORINI · Léon LHOEST

Accordion impro

Tuur FLORIZOONE

Trumpet / Bugle

Laurent BLONDIAU

Trombone

Geoffroy DE MASURE

Saxophone and improvisation

Bart DEFOORT · Bo VAN DER WERF

Percussion jazz

Chris JORIS

Drums

Antoine CIRRI · Xavier ROGE

Guitar blues

Marc LELANGUE

ICI! (Instant composing and improvisation)

Fabrizio CASSOL

Brazilian music

Victor DA COSTA · Alain PIERRE

World jazz

Chris JORIS · Tshamala MUFUBELA

Writing and interpretation

Pirly ZURSTRASSEN

Stage d'ateliers

Sun songs

Raphy RAFAEL

Rock & Beautiful ears!

René STOCK

This is your song

Hughes MARECHAL · Abdelmalek KADI

Folksongs and Singer / Songwriter

Frankie ROSE

Central Africa's polyphonies to the new African song

Fredy MASSAMBA

Latin/Latino area/Latino (chorus song)

Jo LESCO · Michèle LIEBMAN

Negro Spirituals and Gospel (chorus song) - from the African folksong to gospel

Didier LIKENG · Philippe EKOKA

Cuban music's ensemble

Patrice BANCHEREAU

Tap-guitar

Daniel SCHELL · Wolfgang DAISS

Free improvisation

Pierre BERNARD

Soundpainting

Walter THOMPSON

Home studio

Pascale SNOECK

Hip hop (rap/slam)

Kaer

Beat making

François VAIANA

Groove

Nicolas THYS



Music - Libramont 2010

Libramont Discover a movie realised by TVLux

I am glad to present you the new program of the musical training courses of AKDT.


It is always a real happiness for us to be at this moment. It is as if we had cooked in secret and with love in our kitchen some delicious dishes and we would be waiting your reaction. This year, we have concocted you new recipes and some big classics to share together a wonderful feast!
Although the majority of our training courses take place in July during our summer sessions in Libramont and in Neufchâteau, it is good to know that a lot of other activities take place also at other moments and in other places. The November session in Malmedy has been very successful in 2009 and we will do it again this year in collaboration with the "Académie de Musique" and the city of Malmedy.
We organize also some trainings abroad as, thanks to Wallonie-Bruxelles International (WBI), we collaborate deeply with INA (Institut National des Arts) in Kinshasa (RDC), which the Jazz classroom of the Arabian and Mediterranean Musics Centre in Sidi-Bou-Saïd (Tunisia), with the Limma Association in Constantine (Algeria) and with different structures in Benin, in Senegal, in Algeria and in Burkina Faso. A lot of our trainers take part in training courses which are given in these countries. Each year we welcome nearly 25 African trainees (also thanks to WBI grants) during our summer sessions in Libramont and Neufchâteau. Some of our trainers come from these institutions too.

It is the spirit of these meetings which enriches our sessions. Meeting between the North and the South, but also intergenerational meetings, because beginners and advances musicians, whatever their age can meet each other.

The musical sessions co-exist with plastic Arts sessions and we do everything, my colleague Eddy Devolder and me, to encourage the collaborations between visual artists and musicians. You will discover through the training courses offered descriptions that we are going with happiness to an artistic utopian view which builds bridges between traditions, the past and present vocabularies in a contemporary reality which is common to everybody.

We are sure that the fifty musical training courses and the multiple complementary activities we offer (more details on the website), are an incredible panel of experiences to do. I wish you some great moments during our training courses and enjoy ourselves to share them with you.

Pierre Vaiana,
Artistic adviser