«Un arrêt dans le temps pour partager!»


Note: The information regarding the trainings are not always available in English. In this case, you will find this information in French.

Dance

Folk dance

Koen DHONDT

Tango initiation

Karin VENVERLOO · Arthur ABEL

Dance, songs and Arabian culture

Ghalia BENALI

Flamenco

Sofia YERO · Torre DE MONTIJO

Afro-Cuban dance

Debby VIGNEAU · Gwenael FRANCOTTE · Gauthier LISEIN · Didier DEGROEF

African dance

Marc FRANCOIS · Boukson SERE · Sidiki CAMARA · Cyril PELTRE

Contemporary dance - beginners

Martine CARDINAL

Expression in movement

Olga MASLEINNIKOVA

DANSéDANSE

Martine CARDINAL · Mike WINTER · Danielle BERLIER · Sophie DE TILLESSE

Choreographic workshop : from picture to movement

Anna KONJETZKY · Sahra HUBY

Performing

Contemporary dance - beginners

Martine CARDINAL

Write for theatre

Eric DURNEZ

Qi Gong (and F.M. Alexander's technique)

Philippe BEUMIER

A look: the story-teller and the chorus

Patrizia D'ANTONA

Movie actor

Stéphan CARPIAUX

Script and film making

Jean-Jacques ANDRIEN

Film making assistant

Dany BODEUX

Shooting

Pierre DENAYER

Prise de son cinéma

Patrick VAN LOO

Expression in movement

Olga MASLEINNIKOVA

From touch to massage

Michèle STREPENNE

Play my clown or the fun's body-building

Lory LESHIN · Jeannick DUPONT

DANSéDANSE

Martine CARDINAL · Mike WINTER · Danielle BERLIER · Sophie DE TILLESSE

Theatrical alphabet

Boris RABEY · Natalie YALON

Acting, the senses and the emotion

Daniel DONIES

Masked acting: to the mask's life

Serge PONCELET

Non verbal expression

Patrick DUQUESNE · Genni CORTIGIANI

Theatrical exploration

Stéphane DEVROYE · Aline JANSSENS

Bazar dans l'art par hasard

Céline LALOIRE · Julien BRUNEAU

Character, directions for use

Anaelle ROUSSEAUX

Write under duress

Hervé LE TELLIER

Taiji Quan and Qi Gong

Philippe BEUMIER

Sound and picture edition

Philippe BOURGUEIL · Marc BASTIEN

Choreographic workshop : from picture to movement

Anna KONJETZKY · Sahra HUBY

The actor's first step

Laure CHAUVAUX · Guy PIETERS

Shakespeare, a carnal theatre: Twelfth night

Serge PONCELET

Actor creator

Boris RABEY · Natalie YALON

The universal language of the corporal actor

Elena SERRA

One man show

Bruno BELVAUX · Jean LAMBERT

The improvisation's object (improvised theatre)

Philippe VAUCHEL

The performance

Sarah ANTOINE · Jacques FAUVILLE

Voice and Alexander method

Pascale BEN · Michel BOROTRA

The acting and production's approach through 'Antigone' by Sophocle

Frédéric DUSSENNE

The tale's way

Vanessa LEFEBVRE

Improvisation

Benoît VAN DORSLAER

The monologue, solitary and multiple

Daniel DONIES



Performing art - Neufchâteau 2010

Neufchateau Discover a movie realised by TVLux

Lot's of beautiful discovers in prospect for the performing arts' vintage 2010.


A session focused on interdisciplinarity: DANSéDANSE is a new concept which offers you to dance via the "window" of plastics arts or theatre. The performance will enable you to find a common language between the theatre, the music et the plastic arts.
Non verbal expression will open itself to the dance and will teach the actor to "think in movement". The contemporary dance - beginners will let some place to the actors, clowns, Circassians, singers, musicians; together, they will draw their dances. "Bazar dans l'art par hasard" will drag the children in the dance, the music and the drawing.
With "Le plateau de Cinéma" you will discover the actor's, realisator's, soundman, editor, realisation or production assistant's job,...

A session focused on the novelty: the solitary and multiple Soliloquy will invite you to the compact art, to this privileged relation between the lonely actor and the spectator. A certain look: the story-teller and the chorus will make you share a collective experience. The approach of the play and the staging through Antigone of Sophocle will open the doors of tragedy. From the touch to the massage will learn you the massage art by searching the quality of the movement and of the attendance. Character: directions of use will lead you to the discovery of the scenic costumes and make-up.

A session focused on the returns: the universal language of the corporal actor will go deeper into the mime and the corporal play. Write for the theatre will liberate the speech, will look for a language and will organize it for the purpose of putting it in the theatre.

A session focused on the tradition : Shakespeare, Tchekhov, Stanislavski... The Qi Gong and the Taiji Quan... The Balinese and Commedia mask, the work of: clown, one man's show, voice, improvisation, tale, picture and movement, expression in movement, play, senses and emotion, actor's first steps, theatrical exploration and writing under duress...

Find all the training courses descriptions on this website.

See you soon in Neufchâteau.

Marie-Gilles Vander Essen,
Artistic adviser