Stages
Plastic arts
week 1 · week 2 · week 3 · week 4 ·Alive model · Book · Ceramic · Fashion design · Interdisciplinary · Miscellaneous · Multimedia · Painting / Drawing · Photography · Picture / Sound · Printed · Sculpture · Tournai · Writing ·
Music
week 1 · week 2 · week 3 ·Children · Guitar · Impro · Instrument · Interdisciplinary · Jazz · Mixed races musics · Picture / Sound · Present musics · Rhythm · Song · Teens · Voice · Wellness · Writing ·
Traditional dances and musics
week 1 · week 2 ·Accordion · Dance · Ensemble · Guitar · Instruments · Percussion · Picture / Sound · Production · Singing · Violin ·
Performing
week 1 · week 2 · week 3 · week 4 ·Children · Cinema · Dance · Interdisciplinary · Picture / Sound · Teens · Theatre · Voice · Wellness · Writing ·
Research
«Un arrêt dans le temps pour partager!»
Note: The information regarding the trainings are not always available in English. In this case, you will find this information in French.
Interdisciplinary
Technique Alexander's training (Frederick Matthias)Catherine VERNERIE
Free improvisationPierre BERNARD
SoundpaintingWalter THOMPSON
Beat makingFrançois VAIANA
(extra)ordinary installationsAnne DE ROO · Bénédicte MOREAU
Sculptures and sounding stonesFlorence FRESON · Tony DI NAPOLI
The performanceSarah ANTOINE · Jacques FAUVILLE
Performing
Contemporary dance - beginners Martine CARDINAL
Write for theatre Eric DURNEZ
Qi Gong (and F.M. Alexander's technique) Philippe BEUMIER
A look: the story-teller and the chorus Patrizia D'ANTONA
Movie actor Stéphan CARPIAUX
Script and film making Jean-Jacques ANDRIEN
Film making assistant Dany BODEUX
Shooting Pierre DENAYER
Prise de son cinéma Patrick VAN LOO
Expression in movement Olga MASLEINNIKOVA
From touch to massage Michèle STREPENNE
Play my clown or the fun's body-building Lory LESHIN · Jeannick DUPONT
DANSéDANSE Martine CARDINAL · Mike WINTER · Danielle BERLIER · Sophie DE TILLESSE
Theatrical alphabet Boris RABEY · Natalie YALON
Acting, the senses and the emotion Daniel DONIES
Masked acting: to the mask's life Serge PONCELET
Non verbal expression Patrick DUQUESNE · Genni CORTIGIANI
Theatrical exploration Stéphane DEVROYE · Aline JANSSENS
Bazar dans l'art par hasard Céline LALOIRE · Julien BRUNEAU
Character, directions for use Anaelle ROUSSEAUX
Write under duress Hervé LE TELLIER
Taiji Quan and Qi Gong Philippe BEUMIER
Sound and picture edition Philippe BOURGUEIL · Marc BASTIEN
Choreographic workshop : from picture to movement Anna KONJETZKY · Sahra HUBY
The actor's first step Laure CHAUVAUX · Guy PIETERS
Shakespeare, a carnal theatre: Twelfth night Serge PONCELET
Actor creator Boris RABEY · Natalie YALON
The universal language of the corporal actor Elena SERRA
One man show Bruno BELVAUX · Jean LAMBERT
The improvisation's object (improvised theatre) Philippe VAUCHEL
The performance Sarah ANTOINE · Jacques FAUVILLE
Voice and Alexander method Pascale BEN · Michel BOROTRA
The acting and production's approach through 'Antigone' by Sophocle Frédéric DUSSENNE
The tale's way Vanessa LEFEBVRE
Improvisation Benoît VAN DORSLAER
The monologue, solitary and multiple Daniel DONIES
Performing art - Neufchâteau 2010
Discover a movie realised by TVLuxLot's of beautiful discovers in prospect for the performing arts' vintage 2010.
A session focused on interdisciplinarity: DANSéDANSE is a new concept which offers you to dance via the "window" of plastics arts or theatre. The performance will enable you to find a common language between the theatre, the music et the plastic arts.
Non verbal expression will open itself to the dance and will teach the actor to "think in movement". The contemporary dance - beginners will let some place to the actors, clowns, Circassians, singers, musicians; together, they will draw their dances. "Bazar dans l'art par hasard" will drag the children in the dance, the music and the drawing.
With "Le plateau de Cinéma" you will discover the actor's, realisator's, soundman, editor, realisation or production assistant's job,...
A session focused on the novelty: the solitary and multiple Soliloquy will invite you to the compact art, to this privileged relation between the lonely actor and the spectator. A certain look: the story-teller and the chorus will make you share a collective experience. The approach of the play and the staging through Antigone of Sophocle will open the doors of tragedy. From the touch to the massage will learn you the massage art by searching the quality of the movement and of the attendance. Character: directions of use will lead you to the discovery of the scenic costumes and make-up.
A session focused on the returns: the universal language of the corporal actor will go deeper into the mime and the corporal play. Write for the theatre will liberate the speech, will look for a language and will organize it for the purpose of putting it in the theatre.
A session focused on the tradition : Shakespeare, Tchekhov, Stanislavski... The Qi Gong and the Taiji Quan... The Balinese and Commedia mask, the work of: clown, one man's show, voice, improvisation, tale, picture and movement, expression in movement, play, senses and emotion, actor's first steps, theatrical exploration and writing under duress...
Find all the training courses descriptions on this website.
See you soon in Neufchâteau.
Marie-Gilles Vander Essen,
Artistic adviser