Stages
Plastic arts
week 1 · week 2 · week 3 · week 4 ·Alive model · Book · Ceramic · Fashion design · Interdisciplinary · Miscellaneous · Multimedia · Painting / Drawing · Photography · Picture / Sound · Printed · Sculpture · Tournai · Writing ·
Music
week 1 · week 2 · week 3 ·Children · Guitar · Impro · Instrument · Interdisciplinary · Jazz · Mixed races musics · Picture / Sound · Present musics · Rhythm · Song · Teens · Voice · Wellness · Writing ·
Traditional dances and musics
week 1 · week 2 ·Accordion · Dance · Ensemble · Guitar · Instruments · Percussion · Picture / Sound · Production · Singing · Violin ·
Performing
week 1 · week 2 · week 3 · week 4 ·Children · Cinema · Dance · Interdisciplinary · Picture / Sound · Teens · Theatre · Voice · Wellness · Writing ·
Research
«Un arrêt dans le temps pour partager!»
Note: The information regarding the trainings are not always available in English. In this case, you will find this information in French.
Same week - Music
Sun songsRaphy RAFAEL
Rock & Beautiful ears! René STOCK
This is your songHughes MARECHAL · Abdelmalek KADI
Folksongs and Singer / SongwriterFrankie ROSE
Central Africa's polyphonies to the new African songFredy MASSAMBA
Latin/Latino area/Latino (chorus song)Jo LESCO · Michèle LIEBMAN
Negro Spirituals and Gospel (chorus song) - from the African folksong to gospelDidier LIKENG · Philippe EKOKA
Cuban music's ensemblePatrice BANCHEREAU
Tap-guitarDaniel SCHELL · Wolfgang DAISS
Free improvisationPierre BERNARD
SoundpaintingWalter THOMPSON
Home studioPascale SNOECK
Hip hop (rap/slam)Kaer
Beat makingFrançois VAIANA
GrooveNicolas THYS
Same week - Plastic arts
Portrait - AutoportraitDominique BAUDON · Dimitri CAREZ
FricheAnne DEJAIFVE
Portraits et attitudes of authentic peopleOdile SANTI · Sylvain DUBRUNFAUT
(extra)ordinary installationsAnne DE ROO · Bénédicte MOREAU
Oil painting techniquesJean-Pierre POIDEVIN
Travel book into the training coursesAnne-Catherine VAN SANTEN · Jean-Claude SALEMI
StripThierry VAN HASSELT · Eve DELUZE
La poésie slaméeNeil ELLIOTT
One's own carpetMyriam HORNARD
FeltElodie ANTOINE
Vannerie contemporaineStéphanie JACQUES
The puppet in all its statesElise SIRONVAL · Laurent STEPPE
Clay turningJean-Claude LEGRAND
Sculptures and sounding stonesFlorence FRESON · Tony DI NAPOLI
Video projection liveMarc NIS
PhotographyJacques VILET
Same week - Performing
Movie actorStéphan CARPIAUX
Script and film makingJean-Jacques ANDRIEN
Film making assistantDany BODEUX
ShootingPierre DENAYER
Prise de son cinémaPatrick VAN LOO
Expression in movementOlga MASLEINNIKOVA
From touch to massageMichèle STREPENNE
Play my clown or the fun's body-building Lory LESHIN · Jeannick DUPONT
DANSéDANSEMartine CARDINAL · Mike WINTER · Danielle BERLIER · Sophie DE TILLESSE
Theatrical alphabetBoris RABEY · Natalie YALON
Acting, the senses and the emotionDaniel DONIES
Masked acting: to the mask's life Serge PONCELET
Non verbal expressionPatrick DUQUESNE · Genni CORTIGIANI
Theatrical explorationStéphane DEVROYE · Aline JANSSENS
Bazar dans l'art par hasard Céline LALOIRE · Julien BRUNEAU
Character, directions for useAnaelle ROUSSEAUX
Write under duressHervé LE TELLIER
Taiji Quan and Qi GongPhilippe BEUMIER
Cuban music's ensemble
(song, percussion, all instruments)Patrice BANCHEREAU
Musique-Voice ( Rhythm;Song;Mixed races musics)
LIBRAMONT from 19-07-2010 to 25-07-2010
From 16 years
Content
The popular and rural Cuban musics (Música Campesina), urban (Sound and Charanga), the hybrid Cuban styles (1940-1980), the American salsa and the Latin-jazz. An Occidental musician confronted to the Cuban music, can with his own knowledge (jazz, classic, modern music) only have a limited speech, and this speech will fall if he does not control the rules (simple but also numerous and inescapable) of the Cuban music.The ignorance of the particularities will put the musician in a speech qualified by the Cuban people of ?sin sabor? (bland).
The specific language of the Cuban popular music is rich in its rhythm: all the instruments have the same language than the tambourines and obey to some organised rhythmic placements.
The harmonic rules are easy, but some colours are only get by the knowledge of the styles and the margin of freedom in the breaking of the aesthetic rules. The pieces? structures are organised and each instrument obey to a hierarchy which change according to the different sections of the pieces or the musical styles.
Subjects studied in the training course:
The rhythmic rules, the tyrannies of the ?clave? and the dance.
The harmonic rules
The role of each instrument in the accompaniment and the role of soloist
The different styles of local music
The improvisation
Interaction, dialogues, and exchanges between instruments
The exterior influences.
Level
Open to singers, percussionists and all instrumentalists. A minimum of five years of instrumental practise required.Equipment
Come with your instrument, your instruments of percussion (only congas, timbal, bongo, « clave », guiro or maracas, and eventually drums, not other instrument).Information
Training course price 235 €Boarding price 180 €